A random Pinterest search yesterday brought me to the most stunning, moody, sensuous painting of a woman with gold flecked hair.

Of course I wanted to see more…don’t you! Clicking through to the original source led me to an exceptional design blog Jeannie Jeannie, and article on artist Brad Kunkle, who embellishes his oil painting of women with real gold and silver leaf to not only add a symbolic element, but to also allow light to play across the painting. The effect is amazing…enchanting… mesmerizing. Spend a few minutes, or much more, on his website enjoying the light….

Introducing your newest addiction. Design Seeds is like color lover’s crack. Color pusher Jessica has organized her beautifully created palettes by thoughtful themes including mineral, summer, vintage, edible. Don’t know about you but I could just eat this up all day long! Link to this palette on Design-Seeds.

Pinterest pin of the day! Chinoiserie is the 18th century European interpretation of Chinese ornament. It is one of my favorite aesthetic styles, but can be quite formal looking. I love the scale and whimsical quality of this one! You?

I created a stenciled vinyl floorcloth using Annie Sloan Chalk Paint recently for a booth display that got rave reviews so thought it would make a good step-by-step tutorial to share!

Stenciled floorcloths (sometimes referred to as oil cloths or floor canvases) have a long history of use in both England and the United States. Often made from recycled canvas ship sails, painted and stenciled floorcloths offered a less expensive and more hygienic alternative to carpeting and were used extensively in homes both grand and common prior to the invention of linoleum. Most modern day floorcloths are still made from heavy canvas, which requires priming, stretching, and hemming. As I was looking for a quick and easy alternative-fast-I turned to another modern option: flooring sheet vinyl!

Now, as you know, sheet vinyl comes in many different colors and patterns including brick, tile, and more. Because I wanted a nice  smooth surface and blank canvas for my floorcloth, I chose a roll of sheet vinyl that had a smooth, felt-type backing and painted on THE BACK side. NOTE! I just purchased a very inexpensive, thin vinyl that was pre-cut and prepackaged for my trade show floor, but if you are doing this for yourself I highly recommend that you go with a much thicker, harder, and better quality vinyl.

After applying a coat of white primer and allowing that to dry, I rolled on two coats of Graphite Chalk Paint. Now, you could use any latex and/or acrylic paint for a floorcloth. I happened to choose Chalk Paint because

1. I love it, and
2. I was showcasing Chalk Paint in my booth!

I found it super easy to use on this large scale and quite ideal for stenciling! I LOVE combining complimentary stencil patterns on a project and this large 8′ x 10′ surface provided lots of space to be creative! I decided that I would use our Large Eastern Lattice stencil as the centerpiece and frame it with the Classical Border and Corner stencil. For a lacy scalloped edge, I chose the Florentine Damask stencil, with plans to just have the bottom portion of it coming off the linear border. When picking patterns to go together, I generally look for ones that offer a variety of scale but also contain unifying elements. To my eye, the lattice pattern has a petal effect that is echoed in the border pattern. The border pattern has some small dots in it which are echoed in the damask pattern. Works for me!

For a color palette, I chose Old White and Duck Egg Blue over the Graphite. I think that the addition of the Graphite with these soft, classic colors adds a little big of a fresh modern edge.

The first step was to determine where to place the Classical Border and Corner “frame”. Since the Eastern Lattice stencil is a symmetrical allover pattern, I knew that that could be repeated as much or as little as needed, but I HAD to determine how much space to leave at the edge for my Florentine Damask “lace edge” on my 8′ by 10′ floorcloth. We then measured 14.5″ in from the edge, made tick marks with a chalk pencil and ran tape on the outside of those marks. Then we measured in 4″ from there (enough to accomodate the border design and ran tape on the inside of those marks to leave a 4″ opening between the strips of tape.

We burnished the tape well and rolled on two coats of Old White Chalk Paint with a short-nap 4″ roller (not shown). When dry, we used a translucent tape to overlap just inside the frame. This was placed at roughly the width of the lines of the lattice stencil to preserve a nice black outline there. If you don’t have a similar tape you could mark lines and use blue or green painter’s tape.

Now to the stenciling! We measured to locate the center of our large inner rectangle and centered one of the cloverleaf elements over it. This ensures that your symmetrical pattern will end the same at opposite edges. I used our new larger 2″ stencil brush to stencil the whole design first with Old White Chalk Paint. The Chalk Paint covers very well, but it did take two passes to get full coverage with the white. Fortunately, the Chalk Paint dries SO quickly that you can go immediately back over it. This isn’t possible with latex paint-you must let the first coat dry so you don’t lift it off by going back over it too quickly. Of course, I used a dry-brush method with the brush, meaning I dipped just the tips of the bristles into the paint and offload a bit onto paper towels before stenciling.

The Duck Egg Blue color was then stenciled right over the Old White, JUST in selected areas of the design. In order to avoid the hassle of taping off the pattern to isolate this area, I simply switched to a smaller, 3/4″ brush which allows for more control. You just have to be careful as you near the edges to keep the bristles from creeping in the areas you want to remain white.

After a few repeats like THAT I decided to try for a speedier method. The dry brushed method looked fabulous, but I was in a time crunch, as always! I switched to a roller/brush combo that worked quite well with the Chalk Paint! After offloading the roller slightly (again on paper towels) I used a light pressure to roll the wet paint onto a portion of the stencil repeat.

Then, while the paint was still wet, I used the brush to smooth and swirl it out on the surface for the first layer. This was definitely faster, but I did have some paint seepage here and there which I touched up easily with Graphite at the end. Once I switched to this technique I just continued on doing all the white and then went back and replaced the stencil to apply the blue.

Next up! The stenciled border. The Classical Border and Corner stencil is perfect for this because it comes with a corner tile piece that gets stenciled in the corners and the border design can simply run in between. These were visually centered in the corner area and stenciled in the Graphite Chalk Paint again.

To finish off the border with a nice clean edge, simply use the edge of the corner piece to mask off and protect the area, leaving a nice open space that mimics the stencil “bridges”.

The border design was centered in the space between the corners (simply mark the center point and place a central element right over it) and then stencil with the repeat until you hit the corner. This way, your design will naturally end at the same point on opposite corners.

I wanted to bring a bit of the Duck Egg Blue Chalk Paint color into the border pattern so used a dry-brush technique to shade it just around the outer edges of the flower petals.

Voila!

For the lacy edge, I positioned the Florentine Damask stencil at the same point each time. Notice that tape was placed over the border area to protect it from having Old White paint creeping into the black parts of that design.

I began by stenciling on either side of the corner first and dry-brushed on two quick layers of Old White Chalk Paint. Once I had my corners done, I spaced the damask repeats out equally along each side between the corners. On the long edges I was able to stencil 5 repeats total, and 4 repeats total along the short edges. How much space you will have will depend on the size of your floorcloth and it’s best to measure plot it out on paper beforehand if you are doing a different size than our 8′ x 10′.

I could have left the corners as is, but wanted to add a little more detail, so I flipped the stencil around and played with it till I found a nice “fit”. Then I isolated that area with painter’s tape and stenciled in the finishing touch!

Happiness! I love this combination of colors and patterns, which would also look super fab on a ceiling or tablecloth, I think. To protect my lovely floorcloth I used two thin coats of Annie Sloan Lacquer. This is a matte, water-borne finish that is designed to work with the Chalk Paint-particularly over concrete floor surfaces. It is very thin, and penetrates the paint surface to provide a highly durable finish.

It was quite dirty after being walked on at the Home Show, and I was able to clean it up nicely with a Mr. Clean Magic Eraser without any ill effects to the paint finish! Unfortunately the cheap, thin vinyl did get some tears in it here and there. Like I said above….buy good, thick, vinyl-or paint directly on your floor or traditional floorcloth canvas-available here! For another cool idea for a hand painted vinyl floorcloth, check out this Pinterest pin!

I hope you enjoyed this floorcloth idea and tutorial! Let me know….

I hope your Christmas was fabulous, enjoyable, and joyful! Ours was filled with family-as it should be. On Christmas day we traveled north from San Diego (about 2 hours) to spend the day with my husband’s family at my sister-in-law Anne’s new house in Claremont, CA.

I always love seeing a “new” place she is in because she is one of those people blessed with an amazing decorating gene. Even more impressive, she excels at decorating “on the cheap” with restyled thrift store bargains.

When she was visiting us last Spring, we loaded her arms up with a bunch of random stencils from our studio-and she couldn’t wait to show me what she’d done with them. Fortunately, I had my handy iPhone with me, so I can share them with you!

Here’s an adorable little nook area off the kitchen. The wall on the right is filled with mirrors to reflect the sunlight that comes in the windows on the opposite wall.

The built-in bookcase is surrounded by a randomly stenciled pattern using our Indian Paisley stencil.

The gray paint color on the pale blue looks soft and soothing and ties in nicely with the antiqued, punched silver mirror frame.

In the bedroom, Anne used our Large Hollywood Squares wall stencil to accent the closet-again with a blue and gray color scheme. I like the juxtaposition of the geometric pattern softened by the oriental paisley on the comforter.

The bathroom cabinet had been layered with years of coats of white paint, applied with a heavy hand that produced a lot of brush stroke texture.

This proved the perfect background for a distressed patterned finish of grayed denim blue colors. Anne layered spray paint, latex paint washes, and wood stains with some sanding and distressing to get this fabulous look.

This little floral stencil is actually a freebie stencil that we have been including with stencil orders for some time now. I love how she used it to create a random flower field on the lighter blue here and then just as accents behind the knobs on the darker blue drawers. Hey! Whose that person in the door knob??

On to the guest bedroom for another “out-of-the box” stencil application that works beautifully! Here Anne used our classic Fabric Damask stencil in just two rows above the chair rail. I love how the pattern alternates from horizontal to vertical to give a soft lacy edge to the molding. It’s just enough!

Down below is one of our Moroccan  stencils, the Minaret Border. I would never have thought to pair this with the Fabric Damask stencil, but again, the combo of geometric and soft floral is a perfect compliment! I hope you enjoyed this inspiring little stenciled house tour along with me!

Allow me to introduce you to Sylvie Bilger and Metamorfaux.

I had the great pleasure of meeting Sylvie this past October when she attended my last painting trip to Marrakech as one of our very special Peacock Painters. Originally from France, Sylvie has a joie de vivre that is both infectious and endearing. She also happens to be a classically trained decorative artist with an impressive resume.  Sylvie learned her craft first during 4 years in the Ecole National des Arts Appliques et des Metiers d’ Art. She followed that with a year at the Institute de peinture Van Der Kelen in Brussels where she perfected her decorative painting skills in trompe l’oeil, wood graining, marbleizing and lettering. Impressed yet? Well, to top that off she then proceeded to work for two years doing restoration at the Palace of Versailles. Yeah. Cool. For the last 25 years she has lived and worked in NYC, and established her decorative painting company, Metamorfaux with her artist/husband Joe Bilger.

Right before we left for our Morocco trip, she contacted me regarding the opportunity to sponsor the decoration of  a space in the annual Holiday House NYC-an annual showcase and fundraiser for the Susan G Komen foundation for breast cancer research. Of course I said yes! The space was of the sort normally given to decorative painters-a hallway. Hallways are actually fabulous, because they are generally lacking the need for furniture and you can be left to let the paint treatment be the star. Sylvie was inspired by the stenciling that I had designed the year before for a dining tent in Morocco, and this became the basis for the hallway decoration at Holiday House. Of course, she reinterpreted the idea unique and special way. Let’s see, shall we?

Sylvie used a combination of Royal Design Studio stencils and Modello masking patterns. I suggested the Modello patterns for the ceiling, because they can be so much easier than trying to maneuver a large stencil around, and we were able to cut the design to fit the space exactly. Above, she is removing the transfer tape to begin the painting process with metallic paints from Modern Masters.

We also provided Modello patterns for the the arches and medallion. Again, the Modellos are much easier to apply and decorate an otherwise difficult space like these arches!

Cut to a week later, and…..voila! Sylvie used our new large Peacock Feather stencil on the walls. I love how she has them trailing randomly from the ceiling line,

and added just a little extra touch on the window treatment.

More of our Moroccan  stencils were used in the small hallway, including Moroccan Lace, the Fez Corner, and the Fez Floral Border.

A final touch of magic happened when the light fixture was installed. Along with a warm, reflective glow, it adds a whole other dreamy layer of geometric pattern to an already beautifully designed space.

Here is a shot of Sylvie and our mutual Moroccan traveler and friend, artist Tom Henman-her lucky date to the opening night Gala! If you happen to be in the NYC area you can check out Sylvie’s work along with many other beautifully designed and decorated rooms at Holiday House NYC through December 11!

One of my favorite things about designing stencils to share with the world is getting to see how our customers use them in their homes and creative projects.  All this internet interconnection makes it even easier to enjoy these rewards-and to share them with others. I truly love and appreciate it when people “share” their stencil art on our Facebook Page. It’s like instant gratification on steroids! This past week there were some particularly NICE photos posted, so just in case you missed them, here’s a visual recap…

Nichole Blackburn of Celadon Style recently completed a large commission at Bel Bambini, a high-end baby boutique in Newport Beach, CA.  Nichole completed 20 different original and creative murals and decorative schemes throughout the store to coordinate with different nursery collections. Here, she used our Grand Damask stencil in a stripe pattern to create a romantic graphic look.

Former textile artist turned decorative painter and muralist extraordinaire, Carmen Benoit,  is always to nice to comment on our Facebook pages and posts, so I’m thrilled to share some of her lovely work on a grand ceiling. Carmen used our Delicate Floral Damask all over this tray ceiling and finished it off beautifully with the Oriental Brocade Frieze border pattern. This looks like SO much work, but what a STUNNING effect!

Sylvie Bilger of Metamorfaux (top photo) is an amazing person and artistic talent who I met recently on our last Moroccan painting adventure to Peacock Pavilions. She was such a joy to be with and I am thrilled to be sponsoring Sylvie’s space at the upcoming Holiday House NYC event to benefit the Susan G. Komen foundation for breast cancer research. Sylvie is very modest, so she probably won’t tell you that she trained at an important decorative finishing academy in Europe and her first job had her working at the Palace of Versailles, but I think that deserves a major SHOUT OUT! Sylvie is currently completing two amazing hall spaces in the showcase house with a combination of stencils and Modello patterns pulled from our Moroccan stencil collection.

On a much smaller scale, artist Kathryn Donatelli shared a table top that she enhanced with wood stains and one of the designs from our Architectural Scroll Set.

Another fellow Moroccan traveler, Cindi Rowley of Cindy Rowley Designs recently shared a cabinet furniture finish using Annie Sloan Chalk Paint and our Ornate Italian Panel stencil. Cindi embossed the pattern for a raised effect which is highlighted by the lovely antiqued wax finish.

Another Chalk Paint furniture stencil project was posted by Kristin at Chi Chi Studio Designs. This is a super pretty blog by a darling  Mississippi girl and this dresser stenciled with Paris Gray and Pure White and our Small Chez Sheik Moroccan stencil totally rocks, IMHO! Oh, and by the way, Royal Design Studio is now officially the stockist for Annie Sloan Chalk Paint in San Diego County, but I haven’t officially announced it yet, as I am trying to get all my ASCP ducks brushes in a row.

And now for the BIG finish!! It’s the Chez Sheik Moroccan stencil again-this time in the larger version.  When I saw these pictures posted on our Facebook Page wall today by Haneen Matt, I thought they were the work of a pro decorative painter. I was already SUPER impressed by the color choice and stylish props, but then I found out that she is a very talented homeowner and I was super, DUPER impressed. How about you??

So-there you have the week in review, and now you know how much I LOVE it when peeps share their stencil photos…….so…….I’m just suggesting……and letting you know that our Facebook page is right here. Have a lovely, creative weekend!

So, I’ve been doing this stencil thing for a long time now.  A. really. long. time. You would think I would be bored with it by now. I mean really, how could a person continue to be excited about a simple piece of plastic with some pretty shapes cut into it?! Well the answer is, silly, it’s NOT about the tool, it’s about the results: the pushing of boundaries, the new twists, the endless creative ways to use the dang things! For instance-just today two new super stencil projects came my way that offer all of those things-and they both just happened to be floor projects that are original, inspiring and oh so cool!

Mandi from Vintage Revivals is a good friend to Royal Design Studio stencils, and we “love her guts”-and her amazing eye and ingenious projects. So much so, that when she asked us for a custom, super-sized houndstooth pattern stencil for a floor project she was doing we said “how big?”

Of course, Mandi didn’t just stencil it. She stenciled it with an ombre effect, with colors gradating from light to dark to light again. How cool is that!? Mandi dishes on all the rug stencil details here!

So, thanks to Mandi, you can now houndstooth (is that a verb?) your own floor-or wall with this new large graphic stencil from Royal Design Studio.

To make matters even better, I have ANOTHER cool floor idea for you courtesy of Tara at  Dump Your Frump (how fun is THAT thought?) Tara had the awesome idea to stencil on a plain stone tile floor with our Allover Moroccan Arches pattern. Yes, you can do this-you just need to make sure that the surface is clean and “toothy” (meaning it will allow the paint to bond) and that you finish it off with an appropriate topcoat.

I have stenciled before on “unsealed” stone, like travertine, and its a great look. Well I don’t need to tell you because you can SEE it here. If you use a more translucent paint medium, like a gel stain or fluid acrylic, the color will penetrate and you can still see the texture of the stone. I love the bold color choice here though. The frump had definitely been dumped from THIS powder bath.

Thanks for the floor show, Mandi and Tara!

A couple of weeks ago, I shared some fresh new stenciled looks with some of our classic stencils. I have some more great updated stencil looks to show you today. Hopefully it will spark some ideas and get those creative wheels turning!

The Oriental Brushstroke Chinese stencil is a series of individual fanciful bird and leaf elements that you can scatter at will over a wall to create a loose, painterly wallpaper effect. Here, it looks very soft in shades of blue, but you can use it in metallic colors over dark backgrounds for very dramatic effects too!

A border stencil can be perfect for adding just the right touch of color and design to spark up a plain wall. The Elegancia Border stencil is shown here above a step-in tub. Notice how the gold color ties in with the bath fixture and really warms up the wall. Simple, but effective. If you wanted to add more pattern, this design coordinates with our Elegancia Allover stencil.

Another area to try a wallpaper effect with stencils in on the back wall of an open bookshelf or china cabinet. Here, the Falling Feather stencil is perfect for creating a casual, yet custom effect. This is another fun stencil for scattering across a wall, but would be great on a floor, furniture, or fabric project as well.

The Moroccan Hexagons border stencil can also be repeated to create an allover pattern, as shown here. This pattern is perfect for an entry hall or bathroom wall. Using stencil brushes makes it easy to paint the tile pattern in multiple colors.

Our classic Japanese Cherry Blossom stencil set takes on a fresh, modern vibe in a yellow/gray/cream color scheme. Individual branches are fun to scatter and stencil. Shown in a laundry room setting this design works great in bathrooms, bedrooms, even nurseries!

One of our most classic and popular designs for many years, the Florentine Grille Border stencil comes in three sizes, so you can use it for everything from a ceiling freize to a small furniture stenciling detail. Here the medium size is shown centered and stenciled on drawer fronts in boldly contrasting colors for a clean, contemporary look.

Another pattern that is available in multiple sizes is the allover Victorian Grillwork stencil. This classic floral trellis is perfect for furniture stenciling. The larger version is shown here stenciled on the side of an armoire. It’s a perfect romantic look-yet not too fussy!

I hope you enjoyed this stencil re-fresher. Perhaps you have some older stencil patterns laying around and maybe now are inspired to try them anew in some updated colors. That’s what is so great about stencils! They can take on a whole new attitude with simple changes in color and application. Happy Painting!

Well, the writing is on the wall….and the mirror…and the chest….and the floor!  Our unique new French poetry typography stencil is showing up everywhere these days and it’s thrilling to see it used in so many creative ways. First, the wall…

Michele has a beautiful blog called Hello Lovely Inc. where she mixes lovely imagery with poetic writing. She was smitten with the Springtime in Paris stencil as she is a writer herself and has studied French. A perfect fit! She not only stenciled her bathroom wall…

…but cleverly transformed a mirror she was thinking of throwing out by stenciling directly over the front with acrylic paint.

Stenciling on mirror is always fun because the mirror will reflect your artwork (as well as your feet!), providing an interesting dimensional effect.

Note that you will need to take care cleaning a mirror like this because the paint will not bond super good to the glass. The upside to that is that you can always remove it later if you wish. Michele also has an Etsy shop where she sells lovely vintage jewerly and clever collage art interspersed with her OWN poetry.

The ever talented Miss Mustard Seed, aka Marian, also did a fabulous post this week featuring the Springtime in Paris stencil on a rehabbed vintage chest. Marian’s specialty (well, one of them) is transforming furniture that she sells in her shop in Virginia.

She used Annie Sloan Chalk Paint (of course!) to quickly change the base color from drab green to soft Cream and then stenciled the typography across the from with (appropriately) Paris Gray. I have no doubt this piece will be finding a special home soon!

And now, to the floor!  My dear friend Barb Skivington has a fabulous decorative painting and design studio in High Point, NC called Faux Works. Barb is also an Annie Sloan Chalk Paint distributor and certified national teacher for the line. You are probably seeing ASCP ALL over the blog world used on furniture but the paint can also be applied directly over concrete-to beautiful effect!

Barb mixed it up a bit by adding in other elements such as our Paris Postage Stamp and PostMark, along with quotes we have available as Modello Designs masking patterns here.

We actually did a similar treatment on one of the Marrakech Painting trips, and I absolutely love the layering of words and images for a floor application, don’t you?? Decorative typography can be so inspiring…

I hope this inspires YOU.