Travel with us today to California to visit with decorative artist, Jeff Raum, who seamlessly incorporates stencil patterns, hand painted artistry and decorative paint finishes.  Jeff  joins our Stencil Stars™ series, where we showcase the inspired use of our Royal Design Studio mylar wall stencils and Modello™ masking stencils on walls, ceilings, floors, and more.  

Jeff Raum

ABOUT JEFF RAUM STUDIOS

When Jeff Raum’s kindergarten teacher wrote a note to his mom saying he had talent and should be encouraged, Jeff had already known his calling.

Achieving a BFA in Commercial Design, he has had several careers in different cities. A medical illustrator in Dayton, Ohio, working in an art studio in Washington DC, an art director of 3-D animated TV commercials and as a Broadway make-up artist in New York City. It wasn’t until he moved to Los Angeles that he began his decorative painting company, Jeff Raum Art, in 1990. He began in murals and 11 years later branched out to include faux finishes.

Some of his commercial clients include Gucci, the Las Vegas Hilton, the Luxor and Macy’s. He has appeared on The Christopher Lowell Show and his work has been published in Better Homes and Gardens and Traditional Home magazines as well as numerous books.

While Jeff actually designs and sells his own line of stencils, he’s been a friend and regular customer of Royal Design Studio and Modello Designs for many years. A man of exceptional and wide ranging talents, we now give you some of his inspiring work….

What a gorgeous Moorish Powder Bath! Our Allover Moorish Trellis wall stencil was glazed on the walls and a Modello Designs Exotic East Center vinyl stencil (EasCen111) was used on the ceiling with custom elements along the wall corners. (below)  This incredible “leather” ceiling was done for a home theater. The Modello Designs stencil pattern used was Carpets & Panels Aladdin A vinyl stencil in a negative weed.

What draws you to Stenciling?

What first drew me to stenciling was the fact I could produce repetitious elements, like moldings and leaves, so much faster than freehand painting. Once I remember painting grape leaves all around a dining room. I noticed as I went, my leaves gradually got larger – trying to cover more ground. With stencils, it helps me not only paint faster, but keeps the scale consistent. With decorative painting and pattern, there are so many different designs – allover, borders and medallions readily available, I’m likely to find something that will fit the project’s needs. So I don’t have to start from scratch or reinvent the wheel.

Another thing I love about stencils is the crisp edge it gives you. I love using stencils in my murals for foreground elements because that crisp edge makes thing pop and appear in sharp focus. Also, I enjoy playing with sloppy textures, sponging, etc. Things can look like a complete mess and then you remove the stencil and viola! I love the juxtaposition of all that texture contained within a crisp outline.

Above is an example of the crisp edges that can be achieved by stenciling. This wall is in a wine tasting room in Mission Viejo, CA. The majority of this is painted freehand, but the grapes and vine are stenciled with the Grape Clusters Fruit stencil. A custom stencil was designed by Royal Design Studio to recreate the iron railing that was on the stairs in the house. (below) Stenciling can also add visual weight to a light fixture while incorporating color and pattern.  The ceiling medallion was first painted on canvas and then installed. It used a modified Modello Designs Ornamental Center stencil (OrnCen 128).

How do you determine which pattern will work for your project?

When looking for a pattern that will work for a project, I always look at the type of line that appears in the house and try to find a pattern that harmonizes with that. Scrolls are enormously popular in L.A., so I’m often looking for scrolly patterns. Occasionally, I’ll be asked to do a Moorish-style interior and those designs incorporate the angular with the curve. When showing clients my proposals, I will sometimes show the patterns in black and white if the reference is in the wrong color way or tweak the color in Photo Shop. I find more often than not, clients are drawn to color first and then pattern. They will usually choose a design that is not right for their space, but is in the right palette.

An inspired use of our Modello Designs vinyl stencils! Both an Ornamental Panel pattern (OrnPan173) and an Ornamental Center design (OrnCen195) help create a wonderful finish to the panels of a window treatment.

Ceiling stenciling looks even more magnificent surrounded by wood!  (above) This ceiling is in a Calabasas, CA dining room of a movie producer. The stencil designs were done with craft paint and glaze and then an antique glaze was put over the whole surface. The Villa Classic Panel stencil was used for the center while the Villa Border stencil completed the framed design. (below) The powder room cabinet was stenciled using the Micah Classic Panel & Furniture stencil to create the look of inlaid ivory.

How does stenciling enhance your creative business?

Time is money. By using stencils, I’m able to create art much faster than doing everything freehand like I used to when I started out. Stenciling is such a time-saver that I can lower my prices and get to work on bigger projects that the clients might otherwise not be able to afford.

It has really impacted the decorative side of my business. Practically all my faux jobs incorporate some form of template. Sometimes I’m called in to do a simple wash or rag, but when they see the possibilities with stencils – the projects multiply.

Powder Baths are a perfect space to incorporate stencils!  The gorgeous red powder room featured above was created with the Shabby Chateau decorative wall finish and the Floral Fantasy stencils from the Pronto! Collection with Modern Masters Warm Silver metallic paint.  (below)  Framing each of the walls in this powder bath was an inspired choice!  “I used the border off of the Modello Carpets & Panels Chambord B stencil to create the frames on the wall and used Modern Masters Ivy as well as the Antique Bronze metallic paint to tie in with the silk shades.

 

Want to see more?? Take a stroll through his wonderful website and keep up with Jeff’s adventures in artistry on his Facebook page.

Do be sure to follow us on Facebook to always catch fresh and daily stencil and pattern inspiration as well as follow us on Pinterest to preview all our fave images incorporating design, color and anything else that strikes our fancy.  (Oh — and don’t forget to pin THESE awesome pics!)

 

In this weeks installment of our weekly Stencil Star™ series, we feature the hottest restaurant designer in D.C., Maggie O’Neill of O’Neill Studios.  She and her team of artists create some of the most innovate decorative painting finishes incorporating Royal Design Studio wall stencils and patterns in her creative, contemporary projects.  She also weaves in fresh color combinations and stencil designs in her fine art pieces. I first met Maggie when she came on our 3rd Peacock Painting adventure to Marrakech: The Tent Trip! I can tell you that she is even more fun than she looks!!!

Maggie O'Neill

ABOUT O’NEILL STUDIOS

Maggie O’Neill is a Washington, DC based fine artist and the Creative Director of O’Neill Studios, the decorative painting company she founded in 2001. Maggie attended the College of the Holy Cross in Worcester, MA and pursued a Masters Degree of Fine Art at the University of Georgia, enrolling in their Cortona, Italy program. “In Italy, I was moved by the rich art history of the Renaissance and the integration of commissioned fine art during this period,” she says. Maggie focused on drawing and painting (concentrating on portraiture) and the decorative arts, with her studies also including Fresco painting.

After Italy, Maggie continued to travel, eventually living and working in Tamarindo, Costa Rica, where she completed her first commercial exterior mural. “It was at this point that I fell in love with the creation of utilitarian and public artwork that the surrounding community could enjoy.”

Returning to DC, she decided to continue working in the vein of commissioned artistry and opened O’Neill Studios in 2001. In the time since, Maggie has built O’Neill Studios into one of the most well-respected decorative finishing companies in the Washington area. The team’s productions can be seen in some of the city’s most notable private residences, embassies, churches, restaurants and commercial spaces.

A custom Modello vinyl stencil design on a restaurant ceiling.

How do you determine which pattern will work for your project?

There is never just one determining factor of why or what pattern I will propose to a client.  Sometimes we have an inspiration paper or fabric to work from and the project becomes  about replicating the same properties; scale, color, etc.  I typically think about  the following three features of the space to select patterns and stencils that will work: Style, Scale and Palette.  What is the style of the space? Does it require something stylized with a high level of impact or something more delicate and understated? What is the existing  palette working in the space? Do we need to introduce more color or keep it a neutral pattern to create a backdrop for other features or artwork?  What features in the room allow us to play with  the scale of the pattern?

I think to have a stencil custom-made to scale for your space is the smartest thing anyone can do when introducing allover pattern. You may love a pattern on a sample fabric or even an item of clothing but it’s not right for your ceiling or the back of your bookshelves. Any of these things can direct you to the right stencil and technique. I highly recommend doing some research into the style or look you are trying to achieve before purchasing. Also, cutting out shapes to the scale of what your thinking and understanding where they will repeat and run off, measuring the space to understand where it will start and stop is also helpful.

At the OYA Restaurant in DC, Maggie and her team add 3-D elements to the Allover Fabric Damask stencil for both furniture tabletops and walls.  So inventive!

Please share your top Stenciling tip with us.

My favorite technique is a bit messier then the average application. I enjoy seeing the interruption of one color and the introduction of another. I also prefer to see a bit of depth in the application. For this reason my favorite technique is a drop shadow or a “pulled silk” effect.  This is at least a two layer stencil technique. The first layer of glaze or paint is a bit slippery so that it has a longer open time and transparency. Immediately after you stencil, you use your brush like a strie brush and  pull through the pattern lightly. Pulling one direction is important. I prefer to use gravity and pull down. The second layer is the same stencil (cleaned off of course) and place the stencil about 1/8- 1/4 of inch above where you originally set the first layer. Using a lighter more opaque color is helpful to achieve a raised appearance. This creates the look of hand worked fabric or pulled silk or ikat look.

Maggie also enjoys creating fine art pieces and incorporating stencils within.  Here, the Intricate Zelij wall stencil from the Allover Moroccan Stencil Collection supports the supports and enhances the beautiful central figure.

How does stenciling enhance your creative business?

My business is ALL about how creative I can be for my client and how can I work with what they already have. Turning something totally ordinary to something extraordinary has been the cornerstone to my business. Initially, stencils gave me the ability to offer high impact results with relatively quick turnaround and affordable prices. However, stencils have pushed open new creative doors for me as an artist and designer. I experiment with more techniques and applications that include 3D elements and unconventional methods .  I am constantly looking to wallpaper and textiles for inspiration and take note of the techniques used to create nuances in each design.

Maggie working with our one of our Modello Ornamental Center patterns (OrnCen162) in a more traditional space.

Stencils are tools this are just as important as the paint itself, allowing me to explore new methods. I now examine every space and surface  with a different perspective  and understanding of how to embellish or apply pattern.  I realize that you don’t need to stencil everything BUT YOU CAN!  The creative options stencils have introduced have overflowed in to my own fine artwork and now end up in most of my paintings. Stencils have been a juggernaut for my creative business and have opened the doors  of my portfolio to include fabric for window treatments and table runners,  wrapping paper, furniture makeovers, and even clothing.

At the Irish Whiskey Lounge, Maggie mixes both Modello vinyl stencils and traditional mylar stencils to incorporate multiple patterns, textures and typography to create an unforgettable stairway. Pictured is our Endless Circles Lattice, the  Moroccan Arches and Chez Ali stencils — all from the Moroccan Stencil Collection.

Maggie is a creative visionary who designs incredible, contemporary spaces.  Do yourself a favor (and be prepared to spend some time!) by browsing both her sites, O’Neill Studios and Maggie O’Neill Fine Art. For a more personal look, follow Maggie and her painting team via her two Facebook pages, O’Neill Studios and Maggie O’Neill Fine Art as well.

 

Well, it is just one month away today that my 4th and next Peacock Painting trip begins to lovely Peacock Pavilions in Marrakesh, Morocco. We have a fabulous  group going but there is still space and time available if you’d like to join us on October 1-11! You can find more trip and itinerary details here.

I’ve written about these trips about a million times, so you may know that I coordinate these painting adventures with the super chic and creative Maryam from My Marrakesh. Maryam has no limits to offering up great spaces to decorate with paint, or exotic inspiration to draw from. On past trips we’ve applied all sorts of inspired decoration to varying surfaces throughout Peacock Pavilions-a boutique hotel and retreat site just outside of Marrakesh.

There was an Art Deco Mural inspired by Rateau,

stair risers based on henna patterns,

ceiling patterns taken from inlaid camel bone furniture

and antique suzani fabrics. We’ve done lovely lace and typography floors,

and even an entertainment tent stenciled with Fez embroidery inspired patterns.

We have several projects planned for this next trip, the largest which will be another stenciled concrete floor with the look of patterned indigo fabric. The floor will be the base of a new, open air tent created for outdoor yoga practice and more.

As I begin to work on the designs, I thought I would share some of the inspiration I am working from: Nigerian resist-dyed indigo.

Resist techniques such as tie-dye, folded and stitched resist, wax batik and starch resist are common methods of surface decoration throughout the West African region, and the Yoruba of Nigeria are masters of the indigo-dying process. The two examples above are done with a starch-resist method, where the cloth is carefully folded and the intricate patterns hand drawn using starch made from cassava flour and sharpened quill from a large bird.

Stitched resist patterned are achieved also by folding the fabric, but raffia is used here to stitch the patterns into the cloth. When dipped,these areas resist the indigo dye, which is infused over multiple layers to achieve the rich inky blue/black color. The level of detail and intricate quality of this work is quite humbling for me as I attempt to interpret these into easily usable stencil designs! I am really looking forward to this, though, as I think that the concrete stained and painted floor that we create will be AMAZING!

Serendipitously, I just happened to stumble across this post on Indigo on a lovely blog called This is Love Forever, by super stylist Kayte Terry which featured the above fabric sample. One of the previous Peacock Painting trips caused me to design a whole collection of Moroccan stencils based on zelij tile patterns and this is one that we have called Large Moroccan Inlay. I think that doing this pattern in random sized dots would be be brilliant and pondering if this could be replicated on dark denim fabric using a bleach pen?!?! Hmmmm.

Just have to say it one more time guys….if you are interested in going on an amazing journey to Morocco with us, you can find more trip and itinerary details here.

I never shared the stair riser project that our first group did at Peacock Pavilions last May. My bad! This first set of “themed” risers is what inspired the most recent round. Those, in turn, were inspired by this blog post, where Maryam saw something that I designed here at our studio with all different stained border patterns.

The stairs we did in May were actually seen in this photo from Maryam’s blog, but they were covered with all our tired bodies, so here is the big reveal…..

here…..

and here….

and here. The theme was henna patterns, and I had TOO MUCH fun reworking classic henna designs into the borders for these stairs. We worked them in a simple color palette of three colors chosen to coordinate with the marble stair treads. These designs were stenciled directly on the painted plaster risers….

under very adverse working conditions…..

so to prime ourselves for the project we had a fun little henna party. The henna has long since faded, but the memories are still lovely. Good times!

Our wood surfaces adornment assault continues! I showed you some of the finished landings in an earlier post. Now I’m happy to report that the connecting staircases are finished as well and they are GAWDeous!

My ever-abler new studio assistant, Melissa, did all the actual staining work on the stairs so is now an official “stair master”. You can imagine by looking at all that pattern on all those stairs that this was quite a bit of work!

There are 24 different border patterns used. I was able to set up the colorways first in Adobe Illustrator to try and get some nice balance and contrast over the length of each set of stairs.

The stair treads themselves are alternately stained a dark brown and a warm black and they look great from above as well but it’s the view looking up that is extra special. On a technical note, we have been using Bona’s Traffic for the topcoat and used this on the cork floor as well. It’s a bit tricky and pricey but lays down a lovely soft satin finish that has already proven it’s worth as a very durable topcoat for a commercial setting.